home : browse : advanced search : preferences : my favorites : about : help    CONTENTdm Collection
	Search results for His    Refine your search Creator 6 () 5 () 4 () 3 () 3 () Show more... results 81-100 of 344 item(s)  page 5 of 18 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for Edward Steane] This simple textual bookplate contains the originator's name in black ink, and also includes the location. Slight discolouration of text on surname. 82. [Bookplate for Eliab Harvey] In black ink, an oval escutcheon, or (gold), with a dancette chief, sable (black), containing three crescents, argent (silver). The crest is a dexter hand couped at the wrist and erected, floating above is an inverted crescent, argent. The Latin motto is found encircling the escutcheon on the bordure, argent. A wreath made of two laurel branches encapsulates the escutcheon. A banner, containing the German motto, is wrapped around the base of the wreath with the Badge of a Companion of the Order of the Bath hanging between it. 83. [Bookplate for Ellen A. Hoffman by Walter J. Phillips] This wood-engraved bookplate's design is based from on a view near Lake Louise in Banff, Alberta. It features a running stream, grass, and trees. Bookplate image is surrounded by a stylized border, which features the grass of parnassus, which is also featured in the foreground of the scene. Bookplate is printed in black ink, on very thin paper. 84. [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable. 85. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] Abstract white-outlined human figure on green background. Background bordered by abstract lines. 86. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] Abstract brown image on an agua-green background. Image includes a musical instrument (possibly a double bass), a human figure, a book, and a picture frame. 87. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] In blue and red ink, abstract image of what appears to be an eye-like shape projecting, from the iris, a beam downwards through two empty eye-like shapes and a third eye-like shape that seems to represent the eyelashes. The beam moves downward beyond these shapes and appears to illuminate a tree-like shape at the bottom. Text appears vertically along left border. 88. [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below. 89. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border. 90. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border. 91. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black, forest scene done in watercolour, bordered on sides and base by ruled lines. 92. [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's. 93. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E. 94. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In green and black ink, abstract image of what appears to be a highway interchange network. 95. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow. 96. [Bookplate for Emily Ogden Wheeler] Printed in brown ink on white or cream paper the bookplate consists of a border of four thin branches bearing leaves and buds. Wrapped around the top and bottom branches are banners bearing the quotation 'DREAMS BOOKS ARE EACH A WORLD AND BOOKS / WE KNOW ARE A SUB-STANTIAL WORLD.' In the center of the border appears the name of the owner. 97. [Bookplate for English Church Union Theological Library] In the centre of this textual bookplate is a crest depicting a religious figure, crowned and seated on a throne. In his right hand he holds a chalice, and in his left a cross topped sceptre. To the left of the throne is a flowering bush, and below it is a small cross formy and the word "FIDAS" ("faith" in latin). To the right of the throne is the skeleton of a bush, flowerless, and below it is the word "INFIDELITAS" ("infidelity" in latin). At the base of the throne is an unknown latin phrase. 98. [Bookplate for Ernest Terah Hooley] In black ink, an escutcheon azure (blue), a bend or (gold), between three mullets or. Above the escutcheon is a helmet with a closed beaver in profile with mantling. A wreath crest with a tree vert (green) and azure. The banner containing the French motto is located below the escutcheon. 99. [Bookplate for Ernst Hohmann and Michael B. Kunze] Black ink on white paper. Crowned man sits on stone decorated with small leaves, reading from a paper. His sword rests beside him. Text below picture. 100. [Bookplate for F. H. Herrington by L. C. D.] This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist. select all : clear all : add to favorites results 81-100 of 344 item(s)  page 5 of 18 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
	powered by CONTENTdm ® | contact us  ^ to top ^